![]() features that have been around working just fine since CDs were invented just to encourage me to purchase a copy of their (supposedly) normally functioning app, which probably is a rebranded fork of winamp with no real changes, for 10$. They hobble their free apps, screwing up basic functionality (like the music skip buttons, playlist and UI controls, and random play modes). The primary problem with keeping my own audio library is that modern music player makers often mess with me. For everyone else's music WAV is fine because I don't need to master it or upload it to spotify. I love Mp3s for everything except masters of my own music. But for MP3s, in this particular case, I think the author caused more confusion than clarity. Those battles are lost and that's just how the language evolved: everyone knows that crypto in an investment context doesn't refer to public key encryption and that hackers on the news don't mean painters (reference: ). cryptocurrency (crypto=?) or some people objecting to the media's use of the word "hacker" to mean "criminal as applied to the digital domain". Of course, I do see your point in general. Actually, I specifically don’t mean WAV`` err so what's it gonna be.) So, by “MP3s,” I also mean WAV files, and FLAC, and ALAC, etc. (Then to add to the confusion, the article starts with: ``by “MP3s” I mean any fixed digital documents of audio. Your example seems much harder to misunderstand in typical contexts so I'm not sure the comparison really works. I thought it would be a technical discussion of the MP3 format when I clicked the thread. What the author seems to mean is audio files as opposed to physical media, not the MP3 format in any specific way. On Windows, songs are played using 'MPC-HC'.įor what it's worth, the title did confuse me. On MacOS, songs are played using Apple's built-in 'afplay' executable. It's not a perfect system, but it meets my needs and I'm generally quite happy with it. I have playlist support, but hardly ever use it. I have a script to toggle play/pause and another to advance to the next song. I nearly always listen to my music on random/shuffle play. My catalog (metadata) is stored in a SQLite file that is also stored in the cloud. I recently shut down my Swift server and moved my collection to Wasabi (S3 compatible). ![]() I hosted Swift in a Digital Ocean droplet for many years. I set up plugins for the cloud storage layer so that I can also use S3 or Azure. I wrote a python front-end that used OpenStack Swift (object storage) for the cloud storage. After reaching my limit of frustration with iTunes, I decided that I would put my collection in the cloud and manage it myself. I used to have my entire music collection in iTunes (ripped from CDs and purchased from Apple's store). It would be interesting to explore if this-selecting and playing a playlist/mixtape-gives the same feeling as selecting and playing a specific disc/album. ![]() Of course there are playlists on the digital side, and mixtapes (& equivalent CDs) on the physical side. : I'm specially limiting this to albums so as to make a more direct comparison with people listening to purchased music that comes in a physical form. I do not include listens from streaming services (for example, Apple Music and YouTube). : Note that I am referring both to people who purchase music in a physical form (such as CDs) and those who purchase music in DRM-free digital form (for example, from Bandcamp or the iTunes Store). But, like many things, the way in which they go about that preparation will differ from person to person. I think both groups of people are doing the same thing: They are putting them into their proper mental state to experience the music. For others, that action is starting an audio program, selecting the album, and starting it playing. For some people, that action is moving to a library of media, selecting the disc (or tape), and starting it playing. I think, when purchasing and listening to purchased music, there is an action involved that prepares you for the (passive or active) act of listening.
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